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Rug/Carpet:
A rug or carpet is any loom-woven, felted textile or grass floor covering. The term was also used for table and wall coverings, as carpets were not commonly used on the floor in European interiors until the 18th century. The hand-knotted pile carpet probably originated in Central Asia between the 3rd and 2nd millennium BC. Carpet-making was introduced to Spain in 10th century by the Moors. The Crusades brought Turkish carpets to all of Europe, where they were primarily hung on walls or used on tables. Only with the opening of trade routes in the 17th century were significant numbers of Persian rugs introduced to Western Europe.
Woven:
The carpet is produced on a loom similar to woven cloth and is a cut pile.[citation needed] Normally many coloured yarns are used and this process is capable of producing intricate patterns from pre-determined designs. These carpets are normally the most expensive.
Needlefelt:
These carpets are more technologically advanced. Needlefelts are produced by electrostatic attraction of individual synthetic fibers forming an extremely durable carpet. These carpets are normally found in the contract market such as hotels etc. where there is a lot of traffic.
Others:
A flatweave carpet is created by interlocking warp (vertical) and weft (horizontal) threads. Types of oriental flatwoven carpet include kilim, soumak, plain weave, and tapestry weave. Types of European flatwoven carpets include Venetian, Dutch, damask, list, haircloth, and ingrain (aka double cloth, two-ply, triple cloth, or three-ply).
A hooked rug is a simple type of rug handmade by pulling strips of cloth such as wool or cotton through the meshes of a sturdy fabric such as burlap. This type of rug is now generally made as a handicraft.
On a knotted pile carpet (formally, a supplementary weft cut-loop pile carpet), the structural weft threads alternate with a supplementary weft that rises at right angles to the surface of the weave. This supplementary weft is attached to the warp by one of three knot types, such as shag which was popular in the 1970s, to form the pile or nap of the carpet.
Embroidery:
Unlike woven carpets, embroidery carpets are not formed on a loom. Their pattern is established by the application of stitches to a cloth (often linen) base. The tent stitch and the cross stitch are two of the most common. Embroidered carpets were traditionally made by royal and aristocratic women in the home, but there has been some commercial manufacture since steel needles were introduced (earlier needles were made of bone) and linen weaving improved in the 16th century. Mary Stewart Queen of Scots is known to have been an avid embroiderer. 16th century designs usually involve scrolling vines and regional flowers (for example, the Bradford carpet). They often incorporate animal heraldry and the coat of arms of the maker. Production continued through the 19th century. Victorian embroidered carpet compositions include highly illusionistic, 3-dimensional flowers. Patterns for tiled carpets made of a number of squares, called Berlin wool work, were introduced in Germany in 1804, and became extremely popular in England in the 1830s.
Production of Knotted Pile Carpet:
Both flat and pile carpets are woven on a loom. Both vertical and horizontal looms have been used in the production of European and Oriental carpets in some colors.
The warp threads are set up on the frame of the loom before weaving begins. A number of weavers may work together on the same carpet. A row of knots is completed and cut. The knots are secured with (usually 1 to 4) rows of weft.
There are several styles of knotting, but the two main types of knot are the symmetrical (also called Turkish or Ghiordes) and asymmetrical (also called Persian or Senna).
Contemporary Centers of Oriental Carpet Production:
Iran(Tabriz)
Afghanistan
Azerbaijan
India
Turkey
Northern Africa
Pakistan
Nepal
Spain
Turkmenistan
Tibet
The importance of carpets in the culture of Turkmenistan is such that the national flag features a vertical red stripe near the hoist side, containing five carpet guls (designs used in producing rugs).
Child labor has often been used in Asia. The Rugmark labelling scheme used throughout Europe and North America assures that child labour has not been used: importers pay for the labels, and the revenue collected is used to monitor centres of production and educate previously exploited children.
Fibers and Yarns Used in Rug/Carpet Making:
Carpet can be made from many single or blended natural and synthetic fibers. Fibers are chosen for durability, appearance, ease of manufacture, and cost. The most important yarn constructions are:
* Wool and Wool Blended with Synthetic Fibers: Wool has excellent durability, can be dyed easily and is fairly abundant. When blended with synthetic fibers such as nylon the durability of wool is increased. Blended wool yarns are extensively used in production of modern carpet. Wool is relatively expensive.
* Nylon: This is the most popular synthetic fiber used in carpet production. Nylon can be dyed topically or dyed in a molten state (solution dying). Nylon can be printed easily and has excellent wear characteristics. In carpets Nylon tends to stain easily because it possesses dye sites on the fiber. These dye sites need to be filled in order to give Nylon any type of stain resistance. As nylon is petroleum-based it varies in price with the price of oil.
* Polypropylene: This polymer is used to produce carpet yarns because it is cheap, although it is difficult to dye and does not wear as well as wool or nylon. Large looped Berber carpets made from this fiber are usually only suited for light domestic use and tend to mat down quickly. Berber carpets with smaller loops tend to be more resilient and retain their new appearance longer than large looped Berber styles. Commercial grade level-loop carpets have very small loops, and commercial grade cut-pile styles are well constructed. When made with polypropylene (also called Olefin) these styles wear very well, clean easily and are suitable for areas with heavy foot traffic such as offices. Commercial grade carpets can be glued directly to the floor or installed over a 1/4" thick, 8-pound density padding. Outdoor grass carpets are usually made from polypropylene.
* Polyester: Polyester Also known as "PET" is used in carpet manufacturing in both spun and filament constructions. After the price of raw materials for many types of carpet rose in the early 2000s, polyester became more competitive. Polyester has good physical properties and is inherently stain-resistant because it is hydrophobic, and, unlike nylon, does not have dye sites. Color is infused in a molten state (solution dyeing). Polyester has the disadvantage that it tends to crush or mat down easily. It is typically used in mid- to low-priced carpeting.
PTT: PTT (Polytrimethylene terephthalate) polymer, also called Sorona or 3GT (Dupont)or Corterra (Shell), is a variant of Polyester. Lurgi Zimmer PTT was first patented in 1941, but it was not produced until the 1990s, when Shell Chemicals developed the low-cost method of producing high-quality 1,3 propanediol (PDO), the starting raw material for PTT Corterra Polymers. PTT is similar to Polyester, but its molecules have a "kink", similar to a spring, that makes the fiber more crush resistant, resilient, and easy to clean. PTT also does not have dye sites, and is inherently stain resistant because color is infused in a molten state. Carpets made with PTT dry quickly and are resistant to mold.
The binding in woven rug or carpet is usually cotton. and the weft is jute.
Rug/Carpet Binding:
Rug or Carpet binding is a term used for any material being applied to the edge of a carpet to make a rug. Carpet binding is usually cotton or nylon, but also comes in many other materials, such as leather. Natural binding, in other words, binding not made from synthetic material is frequently used with bamboo, grass, and wool rugs, but is often used with carpet made from other materials.
Early Rug/Carpet History:
The hand-knotted pile carpet probably originated in southern Central Asia between the 3rd and 2nd millennium BCE.
The earliest surviving pile carpet in the world is called the "Pazyryk Carpet", dating from the 5th-4th century BCE. It was excavated by Sergei Ivanovich Rudenko in 1949 from a Siberian burial ground where it had been preserved in ice in the valley of Pazyryk. The origin of this carpet is attributed to either the Siberian Turkic groups, Scythians or the Persian Achaemenids. This carpet is 200 x 183 cm (6'6" x 6'0") and has 360,000 knots/m².
The earliest group of surviving knotted pile carpets was produced under Seljuk rule in the first half of the 13th century on the Anatolian peninsula. The eighteen extant works are often referred to as the Konya Carpets. The central field of these large carpets is a repeated geometrical pattern. The borders are ornamented with a large-scale, stylized, angular calligraphy called Kufic, pseudo-Kufic, or Kufesque.
Turkish Carpets:
Carpets, whether knotted or flat woven (kilim) are among the best known art forms produced by the Turks from time immemorial. There are environmental, sociological, economic, and religious reasons for the widespread art of carpet weaving among the Turkish people from Central Asia to Turkey.
The geographical regions where Turks have lived throughout the centuries lie in the temperate zone. Temperature fluctuations between day and night, summer and winter may vary greatly. Turks-nomadicor pastoral, agrarian or town-dwellers, living in tents or in sumptuous houses in large cities-have protected themselves from the extremes of the cold weather by covering the floors, and sometimes walls and doorways, with carpets. The carpets are always hand made of wool or sometimes cotton, with occasional additions of silk. These carpets are natural barriers against the cold. The flat woven kilims which are frequently embroidered are used as blankets, curtains, and covers over sofas or as cushion covers.
In general, Turks take their shoes off upon entering a house. Thus, the dust and dirt of the outdoors are not tracked inside.The floor coverings remain clean, and the inhabitants of the house, if need be, can comfortably rest on the floor. In the traditional households, women and girls take up carpet and kilim weaving as a hobby as well as a means of earning money. Even technological advances which promoted factory-made carpets could not hamper the production of rug weaving at cottage-industry level. Although synthetic dyes have been in use for the last 150 years, hand made carpets are still considered far superior to industrial carpeting.
Turkish carpets are among the most sought after household items all over the world. Their rich colors, warm tones, and extraordinary patterns with traditional motifs have contributed to the status that Turkish carpets have maintained since the 13th century. Marco Polo, who traveled through Anatolia in the late 13th century, commented on the beauty and artistry of the carpets. A number of carpets from this period, known as the Seljuk carpets, were discovered in several mosques in central Anatolia. These were under many layers of subsequently placed carpets. The Seljuk carpets are today in the museums in Konya and Istanbul. It is very exciting to imagine that we may be looking at the very same carpets that Marco Polo praised in the year 1272.
Turkish carpets in the 15th and 16th centuries are best known through European paintings. For example, in the works of Lotto (15th century Italian painter) and Holbein (16th century Germanpainter), Turkish carpets are seen under the feet of the Virgin Mary, or in secular paintings, on tables. In the 17th century, when the Netherlands became a powerful mercantile country, Turkish carpets graced many Dutch homes. The Dutch painter Vermeer represented Turkish carpets predominantly to indicate the high economic and social status of the persons in his paintings. Turkey carpets, as they were known, were too valuable to be put on floors, except under the feet of the Holy Mother and royalty.
Anyone who enters a mosque has to take off his/her shoes. The mosque is the common house of a Muslim community, therefore, shoes are cast off before the door. Moreover, the ritual of prayer requires the faithful to kneel and touch the ground with one s forehead in humility before God. There are no chairs or benches in a mosque, only carpets. A Turkish mosque is often covered from wall to wall with several layers of carpets.
The Turkish carpets have exuberant colors, motifs, and patterns. No two carpets are the same; each one is a creation from a new. Because traditionally women have woven the carpets, this is one art form that is rarely appreciated as being the work of a known or a specific artist. Nevertheless, the Turkish women silently continue to create some of the most stunning examples of works of art to be distributed all over Turkey and the world.
Persian and Anatolian Carpets:
The Persian carpet is an essential part of Persian (Iranian) art and culture. Carpet-weaving is one of the most distinguished manifestations of Persian culture and art, and dates back to the Bronze Age.
The earliest surviving corpus of Persian carpets come from the Safavid dynasty (1501-1736) in the 16th century. However, painted depictions prove a longer history of production. There is much variety among classical Persian carpets of the 16th and 17th century. Common motifs include scrolling vine networks, arabesques, palmettes, cloud bands, medallions, and overlapping geometric compartments rather than animals and humans. This is because Islam, the dominant religion in that part of the world, forbids their depiction. Still, some show figures engaged either in the hunt or feasting scenes. The majority of these carpets are wool, but several silk examples produced in Kashan survive.
Indian and Pakistani Carpets:The art of weaving developed in the region comprising Pakistan at a time when few other civilizations employed it. Excavations at Moenjodaro and Harappa - ancient cities of the Indus Valley civilization - have established that the inhabitants used spindles and spun a wide variety of weaving materials. Some historians consider that the Indus Valley civilization first developed the use of woven textiles.
Carpet weaving may have been introduced into the area of present-day Pakistan as far back as the eleventh century with the coming of the first Muslim conquerors, the Ghaznavids and the Ghauris, from the West. It can with more certainty be traced to the beginning of the Mughal Dynasty in the early sixteenth century, when the last successor of Timur, Babar, extended his rule from Kabul to India to found the Mughal Empire. Under the patronage of the Mughals, Indian craftsmen adopted Persian techniques and designs. Carpets woven in the Punjab at that time (often called Lahore carpets today) made use of motifs and decorative styles found in Mughal architecture.
During the Mughal period, the carpets made on the Indian subcontinent became so famous that demand for them spread abroad. These carpets had distinctive designs and boasted a high density of knots. Carpets made for the Mughal emperors, including Jahangir and Shah Jahan, were of the finest quality. Under Shah Jahan's reign, Mughal carpet weaving took on a new aesthetic and entered its classical phase.
At present, hand-knotted carpets are among Pakistan's leading export products and their manufacture is the second largest cottage and small industry. Pakistani craftsmen have the capacity to produce any type of carpet using all the popular motifs of gulls, medallions, paisleys, traceries, and geometric designs in various combinations.
Oriental Carpets in Europe:
Oriental carpets began to appear in Europe after the Crusades in the 11th century. Until the mid-18th century they were mostly used on walls and tables. Except in royal or ecclesiastical settings they were considered too precious to cover the floor. Starting in the 13th century Oriental carpets begin to appear in paintings (notably from Italy, Flanders, England, France, and the Netherlands). Carpets of Indo-Persian design were introduced to Europe via the Dutch, British, and French East India Companies of the 17th and 18th century.
Spanish Carpets:
Although isolated instances of carpet production pre-date the Muslim invasion of Spain, the Hispano-Moresque examples are the earliest significant body of European-made carpets. Documentary evidence shows production beginning in Spain as early as the 10th century AD. The earliest extant Spanish carpet, the so-called Synagogue carpet, is a unique survival dated to the 14th century. The earliest group of Hispano-Moresque carpets, Admiral carpets (also know as armorial carpets), has an all-over geometric, repeat pattern punctuated by blazons of noble, Christian Spanish families. The variety of this design was analyzed most thoroughly by May Beattie. Many of the 15th-century, Spanish carpets rely heavily on designs originally developed on the Anatolian Peninsula. Carpet production continued after the Reconquest of Spain and eventual expulsion of the Muslim population in the 15th century. 16th-century Renaissance Spanish carpet design is a derivative of silk textile design. Two of the most popular motifs are wreaths and pomegranates.
Native American Rugs:
Navajo Rugs:
Navajo rugs and blankets are textiles produced by Navajo people (Navajo: Diné) of the Four Corners area of the United States. Navajo textiles are highly regarded and have been sought after as trade items for over 150 years. Commercial production of handwoven blankets and rugs has been an important element of the Navajo economy. As one expert expresses it, "Classic Navajo serapes at their finest equal the delicacy and sophistication of any pre-mechanical loom-woven textile in the world."
Navajo textiles were originally utilitarian blankets for use as cloaks, dresses, saddle blankets, and similar purposes. Toward the end of the 19th century, weavers began to make rugs for tourism and export. Typical Navajo textiles have strong geometric patterns. They are a flat tapestry-woven textile produced in a fashion similar to kilims of Eastern Europe and Western Asia. Traders from the late 19th and early 20th century encouraged adoption of some kilim motifs into Navajo designs.
Petate:
A petate is a bedroll used in Central America and México. Its name comes from the náhuatl word petatl. The petate is woven from the fibers of the Palm of petate (Thrinax morrisii). The Royal Spanish Academy (RSA) defines it as a bed. Generally petates are woven in quadrangular forms, though not to any exact dimensions.
Use - The main use of the petate is for sleeping. It can be extended on the ground for lying down or sleeping. During the day the petate normally rolls up and hangs from the wall, freeing up space in the room. In very warm places it is used to sleep outdoors. Also it is used for drying seeds, grains, tortillas, and other foodstuffs in the sun, to prevent their touching the ground. In several places in México, pumpkinseeds dried on a petate and then roasted are commonly called "semillas de calabasa." Other items made from the fibers of the palm are known as "artesanias de petate" (handicrafts made from the fibers of the palm) including toys, dolls, masks, hats, and baskets.
French Carpets:
In 1608 Henry IV initiated the French production of "Turkish style" carpets under the direction of Pierre Dupont. This production was soon moved to the Savonnerie factory in Chaillot just west of Paris. The earliest, well-known group produced by the Savonnerie, then under the direction of Simon Lourdet, are the carpets that were produced in the early years of Louis XIV's reign. They are densely ornamented with flowers, sometimes in vases or baskets, against dark blue or brown grounds in deep borders. The designs are based on Netherlandish and Flemish textiles and paintings. The most famous Savonnerie carpets are the series made for the Grande Galerie and the Galerie d'Apollon in the Palais du Louvre between c. 1665-1685. These 105 masterpieces, made under the artistic direction of Charles Le Brun, were never installed, as Louis XIV moved the court to Versailles in 1688. Their design combines rich acanthus leaves, architectural framing, and mythological scenes (inspired by Cesare Ripa's Iconologie) with emblems of Louis XIV's royal power.
Pierre-Josse Perrot is the best-known of the mid-eighteenth-century carpet designers. His many surviving works and drawings display graceful rococo s-scrolls, central rosettes, shells, acanthus leaves, and floral swags. The Savonnerie manufactory was moved to the Gobelins in Paris in 1826.
The Beauvais manufactory, better known for their tapestry, also made knotted pile carpets from 1780 to 1792. Carpet production in small, privately owned workshops in the town of Aubusson began in 1743. Carpets produced in France employ the symmetrical knot.
English Carpets:
Knotted pile carpet weaving technology probably came to England in the early 16th century with Flemish Calvinists fleeing religious persecution. Because many of these weavers settled in South-eastern England in Norwich the 14 extant 16th and 17th century carpets are sometimes referred to as "Norwich carpets." These works are either adaptations of Anatolian or Indo-Persian designs or employ Elizabethan-Jacobean scrolling vines and blossoms. All but one are dated or bear a coat of arms. Like the French, English weavers used the symmetrical knot. There are documented and surviving examples of carpets from three 18th-century manufactories: Exeter (1756-1761, owned by Claude Passavant, 3 extant carpets), Moorfields (1752-1806, owned by Thomas Moore, 5 extant carpets), and Axminster (1755-1835, owned by Thomas Whitty, numerous extant carpets). Exeter and Moorfields were both staffed with renegade weavers from the French Savonnerie and, therefore, employ the weaving structure of that factory and Perrot-inspired designs. Neoclassical designer Robert Adam supplied designs for both Moorfields and Axminster carpets based on Roman floor mosaics and coffered ceilings. Some of the most well-known rugs of his design were made for Syon House, Osterley Park House, Harewood House, Saltram House, and Newby Hall. Six of Axminster carpets are known as the "Lansdowne" group. These have a tripartite design with reeded circles and baskets of flowers in the central panel flanked by diamond lozenges in the side panels. Axminster Rococo designs often have a brown ground and include birds copied from popular, contemporary engravings. Carpets will forever be associated with the town of Kidderminster in Worcestershire, United Kingdom. This was the heart of the UK carpet industry throughout the industrial revolution. Even now, a large percentage of the 55,000 population town still seek employment in this industry.
Carpet Installation:
Carpeting is an attached floor covering made of a heavy, thick fabric, usually woven or felted, often wool, but also cotton, hemp, straw, or a synthetic counterpart. Polypropylene, commonly called Olefin, a very common pile yarn, as is nylon. It is typically knotted or glued to a base weave. It is made in breadths of 12 or 15 feet (2m, 3 m or 4 m outside the USA) to be cut, seamed with a seaming iron and seam tape (formerly it was sewn together) and affixed to a floor over a cushioned underlay (pad) using nails, tack strips (known in the UK as carpet rods or stair rods, when used on stairs), (gripper) or adhesives, thus distinguishing it from a rug or mat which are loose-laid floor coverings. For environmental reasons, the use of organic wool, natural bindings, natural padding, and formaldehyde-free glues is becoming more common. These options are almost always at a premium cost, though with no sacrifice to performance.
In the UK carpets are still manufactured for Pubs & Clubs in a narrow width of 27" (0.69m) and is then sewn to size. Carpeting which covers an entire room area is loosely referred to as 'wall-to-wall,' but carpet can be installed over any portion thereof with use of appropriate transition moldings where the carpet meets other types of floor coverings. Carpeting is more than just a single item; it is, in fact, a system comprising the carpet itself, the carpet backing (often made of latex), the cushion, and a method of installation. 'Carpet tiles' are squares of carpet, typically 0.5 m square, that is melted into high-density vinyl that can be used to cover a floor. They are usually only used in commercial settings and are affixed using a special pressure sensitive glue, which holds it into place while allowing easy removal.(in an office environment, for example) or to allow rearrangement in order to spread wear.
Modern carpeting is often attached to the floor (or stairways) of a building and, when considered permanently attached, would be part of the real property which includes the building.
Fitted Carpeting:
Fitted carpet, also wall-to-wall carpet or carpeting, is a carpet intended to cover a floor entirely and permanently.
Fitted carpets offer comfort and some soundproofing, they are however hard to clean, and can trap dirt and mites, sometimes causing allergic reactions.
Fitted Carpets were originally woven together to the dimensions of the specific area they were covering and were later made in smaller strips, around the time stair carpet became popular, and woven at the site of the job by the carpet fitter. These carpets were then held in place with individually nailed tacks driven through the carpet around the perimeter and occasionally small rings in the carpet which were folded over.
The introduction of 'smoothedge' now better know as 'tackless strips' upped the quality and simplified the installation of wall-to-wall carpeting, increasing the neatness of the finish at the wall. Because tackless strips are essentially the same thickness as carpet padding, using tackless strips yields a level edge, whereas tacking gave an uneven edge.
Tackless strip is a 5' X 1" strip of wood bevelled on one edge with many small tacks protruding through from the bottom. Obviously tackless doesn't refer to the object itself, but in its ability to hold a carpet in place without tacks through the carpet. It is placed around the perimeter with the bevelled edge side nearest the wall and held in place with nails (timber floors) or glue (concrete floor). Once held in place, the carpet fits over it and is wedged into the narrow gully left between the wall and bevelled side giving a smooth edge. Tackless strips allow stretching of the carpet during installation, greatly improving the appearance of the installation, in the short term and particularly over the long term as the carpet ages. Such stretching is performed occasionally, over large rooms, with power stretchers. More commonly a "knee kicker" is employed to stretch the carpet, which moves the carpet over the tackless strips, whereupon the strips prevent the carpet from contracting.
Gluing without underlay or gripper is simpler as the carpet is simply cut to the wall by the fitter and glued underneath, without the need for the work of cutting underlay or gripper. However carpet is much less plush without underlay, and uneven floorboards in old houses can become visible.
Rug Making:
Rug making is an ancient craft, and covers a variety of techniques.
Braided:
Braided rugs are made by using three or more strips of fabric, usually wool, folding the raw edges to the middle and braiding them together. For an oval rug the center braid should be one inch longer than the width-length in feet. example 2' x 4' rug center strip would be 2'2" long. The center braid is laced together and new strips are sewn on to make the braid longer as lacing continues.
Hooking:
Traditional rug hooking is a craft where rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, rug warp or monks cloth. The loops are pulled through the backing material by using a latch hook mounted in a handle (usually wood) for leverage.
Rag Rugs:
Rag rugs were commonly made in households up to the middle of the 20th century by using odd scraps of fabric on a background of old sacking.
Needlepunch:
Using either yarn or strips of cloth, you work with the punch tool from the back side of the pattern. The Monk’s cloth backing is tightly stretched on to a frame. Every time you punch the needle down through the backing, it makes a long thread on the right side of the rug. Then, as you lift the needle, it automatically makes it into a loop. These loops pack together to create a rug so solid that chewing dogs and clawing cats are its only enemy. As long as you use the tool correctly, it will automatically make all the loops the same length.
Sometimes referred to as "speed hooking", this method of rug hooking is loved for its ease and speed.
Prodded:
Proddy rugs are made, as the name implies, by prodding or poking strips of fabric through burlap or linen from the back side. Rag rugs made this way have many names; clippies, proddies, stobbies, pricked, in Northumberland they are called proggy mats, and in Scotland they are called clootie mats. They were often made for more utilitarian use such as by the backdoor; their pile hiding dirt well.
Tapestry:
Tapestry is a form of textile art. It is woven by hand on a vertical loom. It is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike cloth weaving where both the warp and the weft threads may be visible. In this way, a colourful pattern or image is created. Most weavers use a naturally based warp thread such as linen or cotton. The weft threads are usually wool or cotton, but may include silk, gold, silver, or other alternatives.
Both craftsmen and artists have produced tapestries. The 'blueprints' on cardboard (also known as 'tapestry cartoons') were made by artists of repute, while the tapestries themselves were produced by craftsmen.
Oriental Rug:
An authentic oriental rug is a handmade carpet that is either knotted with pile or woven without pile. Oriental-design rugs made by machine or any method other than hand knotting or hand weaving are not considered authentic oriental rugs.
These rugs normally come from a broad geographical region extending from China and Vietnam in the east to Turkey and Iran in the west and the Caucasus in the north to India in the south. People from different cultures, countries, racial groups and religious faiths are involved in the production of oriental rugs.
Oriental rugs are organized by origin: Persian rugs, Anatolian rugs, Kurdish rugs, Caucasian rugs, Central Asian rugs, Turkestanian rugs, Chinese rugs, and Tibetan rugs.
Persian Rug:
The Persian carpet is an essential part of Persian art and culture. Carpet-weaving is undoubtedly one of the most distinguished manifestations of Persian culture and art, and dates back to ancient Persia.
Persian carpets can be divided into three groups; Farsh / 'Qalii' (sized anything greater than 6x4 feet), Qalicheh (meaning rug, sized 6x4 feet and smaller), and nomadic carpets known as Kilim, (including Zilu, meaning rough carpet).
War Rugs:
The war rug tradition of Afghanistan has its origins in the decade of Soviet occupation of Afghanistan from 1979, and has continued through subsequent military, political and social conflicts. Afghan rug-makers began incorporating the apparatus of war into their designs almost immediately after the Soviet Union invaded their country. They continue to do so today in the wake of the United States' 2001 invasion of Afghanistan which ousted the Taliban government of Mullah Omar but has failed to bring an end to violence in the country. The rugs produced in response to these events are among the world's richest traditions of war art of the late twentieth and early twenty-first centuries.
The terms Baluch and war rug are generalisations given to the genre by rug dealers, commercial galleries, collectors, critics and commentators. The distinctive characteristic of these rugs is their capacity to convey their makers' experiences and interpretations of the circumstances and politics of war and conflict in the region.
Little is known about the circumstances of war rugs' production and distribution, or their makers' intentions.
In 2000 the Gollenstein Verlag of Blieskastel, Germany published "Lebensbaum und Kalaschnikow. Krieg und Frieden im Spiegel afghanischer Bildteppiche" by Jürgen Wasim Frembgen and Hans Werner Mohm. This is the first known serious and detailed study of any substance in the field of the so-called "War Rugs" from Afghanistan.
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